issue 319


Listening to the Jazira—Songs as Counter Archives in Northeast Syria

Local shaabi music legend Khader al Nasser calls himself the “master” as he professes to teach a group of young women about love while plucking chickens in an old music video circulating on YouTube. Eventually a group of women elders kick him out for his mischievousness. It is ridiculous, endearing
Heidi S. Affi 11 min read

Soundtrack of Dissent—The Music of Protest in Iran

In February 2026, one month after mass protests in Iran led to a government crackdown killing thousands, Shervin Hajipour released a new song from inside the country. Hajipour had become internationally known during the Woman, Life, Freedom protests of 2022, when his song “Baraye” went viral before he was arrested
Nafiseh Sharifi 14 min read

Exhibiting the Gulf—Kuwait’s Overlooked Role in Regional Art

In February 2026, the international Art Basel festival was held for the first time in Qatar and is scheduled to return in January 2027. In November 2026, London’s Frieze art fair is due to launch Frieze Abu Dhabi. The festivals mark a growing trend—mirrored in construction of the
Abdullah Al-Mutairi 14 min read

Alternative Amman—Making Counterculture in the Jordanian Capital

On a balmy April night in Amman’s Jabal Al-Weibdeh, a DJ was perched on the roof of Zawyeh Space, leaning over a battered mixer as a small crowd of mostly twenty-somethings chatted under the sky. A short walk away at The Village in Jabal Amman, the city’
Arran Walshe 12 min read

A Note on the Cover Image

Manal Mahamid’s silkscreen print, 48 Cacti, 2024, boldly introduces the themes of our summer 2026 issue, “Art at Work—People, Power and Cultural Production.” The fruit of the sabr cactus, or prickly pear, is repeated 48 times in a colorful grid. Each element is meaningful: the number 48, this
(Author not identified) 1 min read