MER Article Culture, State and Revolution The Arab uprisings have brought major challenges, as well as unprecedented opportunities, to the culture industries. According to a flurry of celebratory news articles from the spring of 2011 onward, protest art is proliferating in the region, from graffiti in Egypt to hip-hop in Morocco to massive Sonali Pahwa, Jessica Winegar • 15 min read
Current Analysis Art in Egypt's Revolutionary Square On January 7, under a clear chill sky, the monthly culture festival al-Fann Midan (Art Is a Square) took place in Cairo’s ‘Abdin plaza. In the sunny esplanade facing the shuttered former royal palace, spectators cheered a succession of musical acts, took in a display of cartoons and caricatures, and Ursula Lindsey • 12 min read
MER Article Bending History A watchword of the Baathist regime during Iraq’s eight-year war with Iran was the “spirit of victory.” Preserving this “spirit” (ruh al-nasr) was a major task of the regime’s efficient propaganda machine throughout the fighting. As soon as war broke out in September 1980, the cultural Sinan Antoon • 8 min read
MER Article Maasri, Off the Wall Zeina Maasri, Off the Wall: Political Posters of the Lebanese Civil War (London: I. B. Tauris, 2009). Sarah A. Rogers • 3 min read
Current Analysis An Artist as President of the Islamic Republic of Iran? Something’s happening here. In one of the largest street demonstrations in Tehran since the 1979 revolution, thousands filled Vali Asr Street (formerly known as Pahlavi Street) on Monday, forming a human chain nearly 12 miles long and stopping traffic for nearly five hours. They wore strips of green Shiva Balaghi • 7 min read
MER Article Change of Power The poet Esmail Khoi once remarked to Ardeshir Mohassess that many of his drawings focused on oppression, depicting both the oppressor and the oppressed as ugly and animal-like. “You seem to suggest,” Khoi observed, “that those who suffer from oppression are no less cruel that their oppressors.” Ard Shiva Balaghi • 3 min read
MER Article The Post-September 11 Arab Wave in World Music Music from the Arab world has traditionally been a minor player within world music, the marketing category encompassing a wide variety of international music that emerged in the late 1980s. Aimed at an NPR listening “adult” audience, world music has a small market share of roughly 2-3 percent (compa Ted Swedenburg • 12 min read
MER Article Art Review: "It's Possible" It’s Possible, A Joint Exhibition of Palestinian and Israeli Art “It’s Possible” is the theme of an exhibition by Palestinian and Israeli artists currently touring the United States. Twenty-four artists -- 12 Palestinians and 12 Israelis -- are displaying their works together in the first such effo Zeina Azzam Seikaly • 2 min read
MER Article Revolutionary Posters and Cultural Signs All revolutions require aesthetic means for representing changes in consciousness. The French Revolution saw itself as something new and universal, and generated a rich elaboration of aesthetic categories of the sublime (storms of nature, volcanoes, earthquakes), the beautiful (island of calm, meado Mehdi Abedi, Michael M.J. Fischer • 6 min read
MER Article Palestinian Expression Inside a Cultural Ghetto During the summer of 1986,1 spent a month in the West Bank, keen to learn for myself about the effects of Israeli restrictions on Palestinian forms of expression, particularly in the visual arts and local crafts. A quick look at different cultural products indicated that traditional aesthetic values Kamal Boullata • 16 min read
MER Article Naji al-'Ali Remembered A ragged, barefoot boy, hands clutched behind his back, stands witness to the scene before him. The small boy in the cartoon is Naji al-‘Ali, popular cartoonist, at age 10, when he was expelled from his native Palestine to Lebanon in 1948. Naji used to say that the boy was a symbol of the Palestinia Joan Mandell • 3 min read
Orientalism in Color Mary Anne Stevens, ed., The Orientalists: Delacroix to Matisse -- The Allure of North Africa and the Near East (Washington, DC: National Gallery of Art, in association with Weidenfield and Nicolson, London, 1984). Sarah J Graham-Brown • 9 min read
