MER Article Culture and Politics, Culture as Politics Although MERIP is best known for political economy critiques of systems of resource extraction, imperialism and authoritarianism, artwork, creative texts and cultural reviews have never been merely supplemental to its project. Elevating cultural expression and aesthetic performance from the Middle East and North Africa can be an act of political Ted Swedenburg, Paul Silverstein • 7 min read
MER Article Egypt's Music of Protest The culture of protest associated with the Egyptian uprising has attracted a huge amount of media coverage -- much of it, unfortunately, partial and superficial. Partial, in that it privileges hip-hop to the virtual exclusion of every other kind of nationalist and protest music sung by musicians and Ted Swedenburg • 13 min read
MER Article Troubadours of Revolt Rami ‘Isam, a 23-year old pony-tailed singer for the so-so rock band Mashakil, based in Mansoura, showed up at Tahrir Square on January 28, 2011, guitar in hand and ready to join the pro-democracy revolt. His music soon became an important component of the Tahrir scene, as the insurrectionists set u Ted Swedenburg • 4 min read
MER Article Imagined Youths Youth -- what is it? The notion tends to be taken for granted, as a natural stage in human development. But, in fact, “youth” is a socially and culturally determined category, a transitional phase between childhood and adulthood that, in its contemporary form, is a product of modernity. In the Ted Swedenburg • 15 min read
MER Article The Post-September 11 Arab Wave in World Music Music from the Arab world has traditionally been a minor player within world music, the marketing category encompassing a wide variety of international music that emerged in the late 1980s. Aimed at an NPR listening “adult” audience, world music has a small market share of roughly 2-3 percent (compa Ted Swedenburg • 12 min read
MER Article Arab "World Music" in the US “World music,” defined as “a marketing term describing the products of musical cross-fertilization between the north -- the US and Western Europe -- and south,” [1] attracts a growing audience in the US. Since the mid-1980s, this term has come to incorporate just about any music of non-European origin -- Ted Swedenburg • 13 min read
MER Article Lavie, The Poetics of Military Occupation Smadar Lavie, The Poetics of Military Occupation: Mzeina Allegories of Bedouin Identity Under Israeli and Egyptian Rule (California, 1990). The era of the nation-state has increasingly put into question pastoral nomadism as a way of life and as a distinctive cultural identity. In Saudi Arabia, Bedo Ted Swedenburg • 7 min read
MER Article Rai, Rap and Ramadan Nights The collapse of the Berlin Wall has forced Western Europe to rethink its identity. In the past its conception of itself as a haven of democracy and civilization depended in part on a contrast to the evils of the Communist bloc. Today there is a revived notion of Europe as David McMurray, Joan Gross, Ted Swedenburg • 18 min read
MER Article Rai Tide Rising Two Algerian rai tunes make the top ten of the Village Voice music critics’s poll in 1989. Rai is now heard daily on college radio from the University of Pennsylvania to Oregon State. Urban dance clubs with “world music” nights feature rai discs along with their usual mix of reggae, salsa, zouk and David McMurray, Ted Swedenburg • 9 min read
