On January 7, under a clear chill sky, the monthly culture festival al-Fann Midan (Art Is a Square) took place in Cairo’s ‘Abdin plaza. In the sunny esplanade facing the shuttered former royal palace, spectators cheered a succession of musical acts, took in a display of cartoons and caricatures, and wandered from tables selling homemade jewelry to others handing out the literature of the Revolutionary Socialists or the centrist Islamist party al-Wasat. The drama troupe Masrah al-Maqhurin (Theater of the Oppressed) put on a series of skits requiring audience participation. In the first, a daughter left the family house against her father’s will, and with her mother’s connivance, to attend a birthday party. She was caught and reported by her brother, and then beaten by her father. In the participatory iterations that followed, a young woman from the audience chose to play the brother and, to much laughter, told the sister: “I won’t tell Dad I saw you in the street if you don’t tell him I was at the café.” Another audience member played the mother, working arduously but in vain to convince the father to allow the girl out of the house under her brother’s supervision. Interestingly, no one in the audience chose to incarnate -- and change the behavior of -- the authoritarian and violent father.