|
Memories
of Birth: An Excerpt
Diana
Abujaber
| 
A
home in a Palestinian refugee camp in Lebanon. (Sallie
Shatz) |
I never knew
that cold could burn. It was a wild wind and my fingers were numb
and clumsy. I fumbled with the sheet of paper, turning the page
over and over. It was little more than tatters now, covered in smeared
ink. My mother wrote all the instructions for me on this page and
I held it in the palm of my hand since the day I had left home.
Now it seemed the words had dissolved in the ship's mist and the
heat of my skin. I stood on the pavement, still feeling the pulse
of the waves in my legs. I stared at the shell-curves of her Arabic
letters, intricate as nautilus chambers.
I had forgotten how to read Arabic.
I remembered sitting with my mother
over an old primer, the smell of the pages like dust on a moth's
back. I remembered the wing of candle wax, when there was flame
to read by. I remembered that I was supposed to study medicine:
that was the plan.
I had forgotten my mother's name.
The cab driver thrust his hand out
the window and I saw pinpoints of sky whirl over his jacket and
melt on his gloves. He took the paper out of my hand, turned it
over, shook it, and said, "Naah, naah, this ain't right!" As if
there was another, correct paper somewhere inside my dress. I touched
my ring.
But the door to the crowded cab popped
open and there were hands pulling me in, the smell of rich leather
shoes and stale breath, the whole car rocking with wind. "There!"
The driver swung around to face me, his big arm over the seat, a
wind-burnt, glossy face. "See, right there!" He pointed to tiny
letters written in one corner of the page, West 121 and Amsterdam
Avenue. I didn't know who had written those words.
A whole family from another boat was
already packed inside the cab. A floss-haired woman squeezed next
to me pulled something out of a waxy paper in her bag. "Hello, hello,
hello!" she cried. She patted my knee. Oil seeped through the paper
and the spicy smell went directly to the back of my head. She fished
a tiny pocketknife from her cleavage and shaved off slices of meat.
Everyone took a piece, including the driver.
I put the meat between my teeth and
the taste dizzied me. I could hardly chew; the spices and fat were
dense and rolled on my tongue, hot as flesh. The woman wanted to
feed me; she passed slices of the meat along with scraps of bread
torn from another parcel in her bag. I chewed mindlessly, watching
New York open up. I saw children run around corners and down strips
of alleyways. The buildings closed up the sky like a clutch purse.
I was suddenly sick. The cab pulled
over so I could regurgitate meat into the gutter. The woman climbed
out beside me and held my head while I retched. I felt her cool
palm on my forehead.
The sky burns with its fever-cold.
I have never seen a city before. We arrive at West 121 and Amsterdam
Avenue. Buildings the color of dried blood, the sky quaking with
this weather that no one has explained to me, windows, steps the
color of ashes. A railing that leads below the earth. I get out;
a hand waves through the blurred glass and the cab rushes away.
I don't know where I am. The paper has melted. The sky flies into
my face so I can't see, can barely breathe. The only sound is that
of my own body -- or is it the street, dull and steady as an anvil?
A door opens. I am confused enough
to think for a moment that I see myself standing in the doorway,
but the woman smiles and says, "New girl. Hello." Then I see the
plaque by the door: Mdm. Saltress Prop. Boarding For Ladies." The
young woman comes outside in sandals and bare arms. She touches
my face and says, "Look. Snow."
It turns out she is only one of the
boarders; I lose track of her in the gray shadows as soon as we
enter the house. Daughter of the friend of a friend, Mdm. Saltress
is straight and still as a broomstick. Her eyes are black darts,
her hands white as lamp shades. She emerges, it seems, from behind
a tall chair, and fixes me with those eyes. "Oh yes, the new girl.
I don't suppose you speak French."
I stare at my shoes; they are cracking.
"Only Arabic and English," I whisper.
"Well, we'll have you out of here soon
enough," she says, and turning like the whisk of a whip, she is
gone.
Shukri Sikoon, the baker-barber in
our refugee camp, had a cousin from Lebanon whose daughter had sailed
to America and opened a boarding house for young women. Despite
the fact that my mother refused to marry him, Shukri kindly contacted
this relation and arranged for me to stay there. It was dark and
humid with piped-in heat. It stood five stories high and its rooms
were filled with girls from India, Thailand, Sri Lanka, Korea, fifty
or more at a time. We waited as men pinched into suits came to look
us over. Sometimes they brought friends, children, sometimes their
mothers. Every day we waited, the doorbell ringing, our hearts settling
into ice and granite, so we wouldn't feel their fingers brushing
our skin. It was our chance at a green card. These suitors grabbed
my jaw, my neck, prodding at parts of my body until I was printed
with bruises. They were not allowed to uncover us or take us to
a separate room, but I had blue marks on my arm from where a man
with marbled skin bit me.
I shared a room with six other girls.
When the men were not visiting, we were expected to wipe down the
old window panes, scrub away the swipes of mud left by the visitors'
boots, wash piles of dishes and laundry, and to leave no traces
of our existence. If by chance there was an unscheduled knock, we
would rush into the back rooms as Mme. Saltress emerged. She would
glare at the immigration officers, indignant, scolding, outraged.
They argued a bit, ruffled some papers, accepted the tidy dollar
rolls from between Madame's fingers, then went away. In my weeks
there, I never saw a girl move out of the boarding house on her
own, but I heard stories of careless girls captured on the wild
streets outside.
By day there was work, but at night
my time in the house was another ocean passage: my narrow bunk,
my solitude inside a press of strangers. I hadn't wanted to leave
my mother -- this much I remembered. I spent the nights retracing
my steps. I reached for memories and they retreated just beyond
touch -- a silver shadow down an alleyway.
I forgot the faces of friends, I forgot
places and lessons. It was as if the ocean mists that had dissolved
my letter had worked on my mind. The hood of waves, the songs of
air and fish had chanted away half or more of my previous life.
I discovered this slowly -- like a person whose house has been robbed,
suddenly recalling yet another lost possession months after the
robbery. Every day I remembered part of something else I'd forgotten.
I retained fragments like glass bones, slivers of shell: the edge
of our tent, the entryway to the market, my mother's face. I didn't
know why the memory had spilled out of me, only that now what dim
recollections I had were hot to the touch, too painful to hold.
I occupied myself with work -- the
porcelain of the tub, slippery dishes in the sink -- I swept a rag
over white tiles, and tried, again and again, to tell myself the
story of what had happened to me. I listened to the other girls'
stories of home, only partially told in English, partially understood,
but filled with the scents and flavors of their countries. I was
ashamed to admit my amnesia to them. I decided that my attempts
at recollecting would have to burn and work in secret.
The sky thickened to lead outside the
windows or whirled with thin clouds, dirty snow, a witches' brew.
I wiped the panes, dusted ledges, imagining that if I could only
remember my mother's name, everything would be all right. I folded
back the bed covers, startled by the warmth of the sheets, and thought
about my days on the boat, then to the time before leaving -- recent
yet distant, always returning to the point of my departure.
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